Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On December 5, 2024, a leading publication published the headline “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then walked coolly away”. The daytime killing was truly cold and shocking. But numerous US citizens had a different response: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One post read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company designed to increase earnings on your health.”
Less than a week after, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with the district attorney seeking the death penalty. So what is his background? And what might have motivated the accused offense? These are the issues John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.
Understanding the Person
A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that lurk in the dark corners of the internet, writing stories about people “plagued by genuine concerns about an end-times scenario”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on Goodreads”. Their subject matter covered climate change to masculinity, along with a “focus on his own self-improvement, both body and mind”. Additionally, Richardson sifts through his communications with online personalities and authors as well as his many updates on digital networks. These primary sources, meant to paint a portrait of Mangione, instead present him as an unclear character. Richardson attempts to explain this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Here, as elsewhere, Richardson attempts to cast his subject in symbolic roles.
Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “refuse” and “remove”, etched on the ammunition left behind at the crime scene. These are the phrases occasionally employed by medical insurers to deny coverage. He examines the evidence Mangione had a long-term spinal issue, which might have provided motive for an attack, but discovers no confirmation; instead, what meaning there is seems to lie in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either dominate, or destroy us, or both.
Missing Pieces
Notably missing from the book are interviews with the principal actors. Richardson made requests, but did not anticipate time with Mangione himself. And his family made it clear that they had chosen not to talk to the press in advance of the trial. Another flashing-yellow omission is any significant information about the deceased, Thompson, though we learn that under his guidance, from 2021 to 2023, company earnings increased by 33%.
Ambiguous Findings
By the conclusion, the audience has little insight of Mangione’s personality or what might have motivated his accused actions. Worse still, Richardson’s obvious sympathy for him creates the disturbing feeling of having been exposed to a veiled endorsement of an assassination. In the book’s final lines, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the beast in the labyrinth and the naked leader.” In that tale “Robin Hoods come with a appealing vow … They arrive in periods of unrest, when the people are suffering and nothing makes sense anymore.”
One thing is certain: as Mangione’s legal representatives works to have accusations that could lead to the ultimate sentence thrown out, any mention of myths, Robin Hoods, champions or monsters will not be admissible as evidence in support for this handsome young man with a “features reminiscent of classical art” facing judgment for murder.